Semantics of allusions in the names of Russian-language works by V. Nabokov in the context of the poetics of modernism and postmodernism

The article deals with the semantics of allusions in the titles of Russian-language works by V.V. Nabokov. Following the principles of non-classical poetics of modernism and postmodernism, the writer turns allusion into a means of artistic deconstruction of the text. Allusive markers complicate the semantics of the title, giving the work additional meanings and demonstrating the specifics of the author's style.