The specificity of the “summarizing” rock compositions within the framework of the “heroic” cognitive-pragmatic program modeling (based on Russian rock culture)

The article presents the literary projection of the original author’s theory of the cognitive-pragmatic programs of a synthetic lingual personality (SLP CPP) as exemplified on the Russian rock music of 1980s. The features of the conceptual content, general functional orientation and principles of the implementation of the “heroic” CPP are analyzed using the example of the “summarizing” rock composition as one of the most important “cognitive tools”. We regard the rock composition as a system of codes, personified and conceptualized in the space of the cognitive consciousness of the subject-source. They determine the specifics of the transfer to the subject-interpreter of a certain (significant and relevant) content encrypted within the CPP structure. The rock composition of the “summarizing” type is perceived by the rock poets themselves, firstly, as a special form of systematization of the analysis results of all the basic CPS subsystems (cognitive-pragmatic sets constituting the CPP), and secondly, as the search for ways of CPP adapting to the new sociocultural environment conditions. This type of rock texts gets special relevance at the final stage of modeling the “heroic” version of the CPP, which initially contained the potential of duality and self-destruction. Not even consciously but rapidly evolving from the so-called “constructive” forms of romantic thinking to “destructive” heroism, the “heroic” consciousness loses its positive content, becomes part of the destructive mytho-ideological personality suppression system and ultimately collapses.