Comparative analysis of bard song, Russian rock and Soviet song in late USSR by semantic macrostructures method

Bard song, Russian rock and Soviet songs are examined as cultural subsystems of the 20th century second half. A specially devised semantic rhythms method was used for comparative analysis of resonant works these phenomena. Structures in the form of dialectic oppositions “particulars-universals” (PU-rhythm) and “chaos-order” (CO-rhythm) were previously discovered in the bard song texts by this algorithm. The identified dynamic parameters are consistent with social processes as the analysis result. The temporary frames of some culture social phenomenon were revealed. The applied philological method has the potential for interdisciplinary research on cultural phenomena and related social cultural processes.