Status and features of dialogue in art

The article focuses on the types and features of dialogue in art, based on the exteriorized and interiorized interaction of its subjects. Based on the research of dialogists, the author of the article hinges primarily on a broad interpretation of dialog as a form of being in culture, a form of communication between cultures, taking into account the form of understanding culture. The essence of this joint existence or co-existence is the interaction of its participants, expressed in replicas, including “reciprocal equal word”. Particular attention is paid to interiorized (“unarticulated”, “monologic”) dialogue, which is more difficult to instrumentalize. It is subdivided by the author into the dialog of the creator-creator, creator-customer, creator-viewer. Under the influence of this “multi-place” and diverse dialogue, as emphasized in the article, there is not only a transformation of the inner world of its subjects, but also the formation of a cultural tradition.