Stilistic means and devices of expressing contrast in two-part stories by A. I. Solzhenitsyn

The author considers various means of contrast expressing as a composite-stylistic principle in Two-part stories by A.I. Solzhenitsyn. The key elements of comparison and opposition devices are established on the basis of the lexico-semantic specifics of common and occasional verbs and nouns; ways of the authors position realization, as well as image creation devices are pointed out.