Theatrical space of the Soviet Ulan-Ude as a place for the development of creative youth and younger generation

The article is a continuation of the study on the problem of theatrical space. Its geographical aspect involves spatial structuring into the center and periphery, in this case Ulan-Ude is considered as an epicenter of the theatrical space of the republic. The theatrical space as a complex dynamic system that satisfies the spiritual needs of people is developing progressively, it is characterized by periods of growth due to the organization of new theaters, specialized educational institutions to replenish theater groups with local professional personnel. With regard to the structure of the theatrical space, which includes two equal components - external and internal, we have revealed their interdependence and mutual influence. The specialized educational institutions that have appeared as organizations for training future theatrical personnel, foster an appreciation in young people, acquaint them with dramatic, musical and dance art. The theaters by organizing various public lectures and courses continue the process of educating young actors, and theater groups, take an active part in the moral and artistic education of younger generation. They organize special associations that contribute not only to familiarizing with world and domestic classics, expanding their knowledge, but also to the raise of new generations of spectators.