Concertmastering technique in the context of chamber music: interaction between accompaniment and vocals on the example of works by F. Schubert

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The article deals with the peculiarities of accompaniment in F. Schubert's songs and its interaction with the solo part. The significance of accompaniment in chamber vocal music as a whole is revealed, its role in F. Schubert's songs and the degree of interaction with the vocal part are determined.

Schubert, song, accompaniment, vocal part, vocal cycle, piano

Короткий адрес: https://sciup.org/170208266

IDR: 170208266   |   DOI: 10.24412/2500-1000-2024-11-1-37-39

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