Body as a basis of formation of actor’s plastic culture

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The article is devoted to the main concepts of choreography, such as a body, technique, plasticity, virtuosity and peculiarities of training and formation of dancer's body as a basic tool. The dance manifests the special feelings of the music that dictates movements and arises from body’s movements by means of the plastic culture of actor’s body. The body is the expressive form and means of instrumental art and it is able to fulfill any requirements of choreographer. Technical skills of the dancer and holistic performance are integral constituents of profession that are indispensable to professional performers. The author comes to the conclusion that the body is the main tool in the creation of image, because it is through the culture of plastic movements the meaningful inner world of the performer can be revealed.

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Choreography, exercise, technique, body, plastic

Короткий адрес: https://sciup.org/148182984

IDR: 148182984

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