The specificities of intermediality of painting and technology of photography: some theories and examples

The specificities of intermediality of painting and technology of photography: some theories and examples

Автор: Peraica A.

Журнал: Креативная экономика и социальные инновации @cesi-journal

Рубрика: Креативность действия в меняющемся Мире

Статья в выпуске: 2 (11) т.5, 2015 года.

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Although history of art has recognized the photography as an art media quite late, photocamera and photographs were used by painters since the invention of the medium. Through the analysis of paintings based on photographs, the article distinguishes several specificities that photography has introduced into visual reception, changing the history of methods in painting, graphics and other visual media. These specificities are; a change to technical and monocular perspective, intriguing perspectives and view angles, effects of lens distortions, fragmentation of gaze, description through multiple details of time succession, atomization of a scene, deep counterlight and halation of objects in counter light, stillness without stiffness of posing, halted and frozen movement, unusual image cropping, perspective bokeh, combination printing and retouching.

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Photography, pre-raphaelites, modernism, surrealism, dadaism, cubism

Короткий адрес: https://sciup.org/14239019

IDR: 14239019

Список литературы The specificities of intermediality of painting and technology of photography: some theories and examples

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