Transformation of the value system of the Russian epic in Rimsky-Korsakov's opera "Sadko"

The article presents the results of a comparative analysis of values in Russian epic songs about Sadko and N.A. Rimsky-Korsakov’s opera “Sadko” (1903). To correspond the requirements of the European opera and Singspiel canon and to the trends of Russian political fashion of the late 19th century, Rimsky-Korsakov had to abandon the epic concept of force as a response to the manifested compassion. At the same time, the modern concept of enterprise and wealth (the latter considered as temtation in epic story) is introduced to the very top of Sadko’s value hierarchy. There are no episodes of Sadko’s prayer which plays key part in epic narrative story. Inducing romantic love theme, the composer dramatically diminishes the value of married life which is essential for the epic; Sadko’s fascination with the Daughter of the Sea Lord is no longer considered a threat to Sadko’s life.