Transformation of the expressive form of the archetype of the house in contemporary art

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The article examines the transformations of the archetype of the House on the example of the work of contemporary artists: R. Magritte, Y. Dyrin, G. Matta-Clark; determines the specifics of the transformation of the expressive form of this archetype in the artistic worldview during the twentieth century. In the changes in the interpretation of the image of the House in the iconic works of modern artists, its transformation is noted as a deconstruction and destruction of the expressive forms corresponding to traditional interpretations. There is a tendency towards the existence of an expressive form of the image of the House as a reminder of the archetypal basis that lies at the initial point of subsequent artistic transformations.

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Archetype, expressive form, house, postmodernism, contemporary art, ethnofuturism

Короткий адрес: https://sciup.org/170188683

IDR: 170188683   |   DOI: 10.24412/2500-1000-2021-4-2-109-111

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