Temporal sphere of the author's world view in Boris Ryzhii's lyrical landscape discourse

The article examines the lyrics of Boris Ryzhii in the 1990s and early 2000s. As a subject of research, the landscape discourse of lyric poetry has been selected; the category of the author's world picture has been used in the conceptual and functional aspects as a methodological research apparatus. The study of the temporal sphere of landscape discourse reveals the existential character of temporal images. Nominations of temporary natural markers, as a rule, are remotely correlated with the realities of the natural world, their semantic field is formed mainly by mythological and mythological values. Markers of temporary natural realities perform mainly plot-forming and expressive functions and are only occasionally nominative. The landscape discourse of Boris Ryzhii's lyrics explores the world of the author, imbued with a tragic worldview. But the author's tragic consciousness translates into subtext, using an elegiac, and more often, an ironic mode to complete the aesthetic object and form the image of the lyric subject. The tragic intentions of the author's consciousness of the discrepancy between "self" and "the world" are addressed to the recipient. For the culturologically knowledgeable reader, the landscape discourse of the lyrics makes it possible to reveal the world outlook problems of the author's consciousness and give his own assessment to his lyrical subject.