Альберто Санчес в русско-испанском культурном контексте

Theoretical Problems

E.I. Zeifert. An Optimistic Ending of a Lyric Plot in the Genre of Fragment.

Interpretations

B.V. Orekhov. Mythopoetics of «Mister Twister»: between Children’s Literature and Political Didactics.

Reprint

D. V. Vertashov. Sologub on the Reform of School Education.

Modern Education

Elsa Chernyavski de Bogdan. A Song in the Context of the National Culture of Spanish-Speaking Countries: a Sounding Text as Didactic Material.

Philology and...

E.G. Shestakova. A Boundary Situation: Overlapping of Media and Theatrical Cultures in a Reality Show.

The article examines various kinds of crossing, breaking and playing with the borders between the empirical and aesthetical realities of a reality show in the context of relations between mass media and theatrical cultures. These cultures are traditionally interpreted as cultures having the closest ties with reality, on the brink of their demolition, due to their nature, characteristic features and functions. This is why it is interesting to analyze a complicated whole that emerges in a boundary situation when mass media and theatrical cultures meet in a reality show. It is proved that the theatrical character of a reality show is mostly an illusion, but at the same time a practically ideal embodiment of Artaud’s and Sartre’s ideas. It is a unique and dangerous character of experience, knowledge and sensations of a person who has fully realized his inner state and feelings and has willingly faced and dealt with a boundary situation.