Caryl Churchill's A number: multiple personalities in contemporary tragedy

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The article dwells on Caryl Churchill's view of human identity as reflected in the play A Number. The main plot features a number of the protagonist's clones becoming aware of their «copy» status. However, analysis of the piece reveals that the ethics of cloning is not the playwright's major focus. Churchill is rather concerned with the very mechanism of self-definition and the features making every individual unique in the epoch of copies and consumerism. The writer puts forward the idea that the difficulty of self-identification nowadays is probably caused by distorted interpersonal relations and the destruction of family ties.

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Caryl churchill, modern drama, cloning

Короткий адрес: https://sciup.org/147228699

IDR: 147228699

Список литературы Caryl Churchill's A number: multiple personalities in contemporary tragedy

  • Churchill C. A Number // Plays: Four. London: Nick Hern Books, 2008. P.161-206.
  • Gardner L. A Number // The Guardian. 2006. Tuesday, October 26. URL: http://www.guardian.co.uk/stage/2006/oct/26/theatre (access date: 15.10.2012)
  • Gobert R.D. 'On Performance and Selfhood in Caryl Churchill' // The Cambridge Companion to Caryl Churchill / ed. by E.Aston and E.Diamond. New York: Cambridge University Press, 2009. P.105-124.
  • Marks P. 'Caryl Churchill's A Number: Family Tragedy in a Petri Dish' // The Washington Post. 2004. Friday, December 17. URL: http://www.washingtonpost.com/wp-dyn/articles/A6368-2004Dec16.html (access date: 22.10.2012)
  • Kilpatrick D. 'Same Difference: On Caryl Churchill's A Number // The Brooklyn Rail: Critical Perspectives on Arts, Politics and Culture. 2004. №11 (November). URL: http://brooklynrail.org/2004/11/theater/same-difference-on-caryl-churchills-a-number (access date: 22.10.2012)
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