Movement and self-movement in the context of philosophical and aesthetic reflection

The article considers the problem of “movement” and “self-movement” as a philosophical-aesthetic grounded the humanistic basis of culture. The nature of the concepts of “movement” and “self-movement” found in the culture of the Ancient world in the process of mythological knowledge. In the philosophical theories of the Ancient world attempts logical definition of movement and self-movement. Attention to these issues increases during the Renaissance, when formed by the humanistic European culture considering human creativity as “perfect”. At this time consciously at the level of single experiments objectified concepts of motion and self-motion in human life, as a beautiful, intelligent, peculiar to man as a creative being, the Foundation of the world. In culture of New time initially “perfect” is understood as individual creativity, self-movement is the development of individual abilities according to age, reflected in craft and technical work. But in the last century the emphasis of “perfect” shifts to a utilitarian interpretation of the study results in the liberation of man from physical labor. Today, the aesthetically beautiful is interpreted as a dualism of natural and artificial in the form of the principle of self-movement in operation.