Fenomen of the interaction national and international in the dramatic art of the USA in second half of the 20-th century

In this article contain investigation of problem interaction national and international in history development of dramatic art of the USA in second half of the 20-th century. This fenomen interact within a united cultural space. The dramatic art of USA 1950-h-1990-h years - further development of realistic, neomodernistic, neoavangardistic tendencies in the connection with European classical theatrical culture. Special meaning for fruitful development of the American theatre has Chekhov's tradition. The artistic world outstanding playwrights of USA- A. Miller, T. Williams, L. Hell-man, E. Albee combines successful development of the traditions of E.O'Neil with innovatory achievements of the European modernistic art, "Theater of the absurd" of S. Becket and E. Ionesko. The interactions of the European and American theatre culture created association of the dramatists-experimenters in 1960-h years and postmodernistic art of R. Wilson, R.Formen, L.Bruer. Effective interaction national and international as mastering of different intellectual, aesthetic, methodological discoveries and achievements is the prerequisite of perspective development of the world's artistic idea, which can create an original and international dramatic art of the 21-st century.