Godfrey Reggio’s philosophical film poems: the search for lost harmony in Koyaanisqazzi’s film

This paper examines the philosophical underpinnings of Godfrey Reggio's documentary filmmaking, which presents a stark urban landscape of modern society and compels viewers to confront the impending threat of societal collapse. Reggio’s oeuvre functions as a series of manifestos, aiming to awaken humanity to the critical issue of survival. His films posit a path towards salvation, advocating for a responsible use of technology rather than a technologically-driven existence, and urging against the commodification of both humanity and the natural world. In “Koyaanisqazzi”, Reggio depicts an initial state of planetary harmony subsequently disrupted by technological advancement, resulting in an anthropogenically scarred and degraded Earth. Humanity, in this narrative, has lost its intrinsic values and equilibrium. The central conflict of the film lies in the disequilibrium between nature and modern society - life irrevocably thrown out of balance. By presenting viewers with an unrelenting stream of faces within the urban masses and visually depicting planetary degradation, Reggio prompts a critical re-evaluation of individual lifestyles and their associated values. The film serves as a potent catalyst for introspection and a reassessment of humanity’s relationship with its environment.