About the dialectics of top and bottom: ressentiment as a principle of mass culture
Автор: Limonchenko Vera Vladimirovna
Журнал: Вестник Московского государственного университета культуры и искусств @vestnik-mguki
Рубрика: Теория и история культуры
Статья в выпуске: 2 (100), 2021 года.
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The subject of consideration is the phenomenon of mass culture, the conceptual comprehension of which reveals the characteristics of an oxymoron. If culture testifies about a person who produces, creates, and therefore is free, then mass culture, with its emphasis on consumption, can be read as a combination of the incongruous, resulting from the dominance of the mass person. Mass culture is being established as a result of the victories of democracy, but this is a very peculiar “victory”. The classical version of the master-slave dialectic substantiates the superiority of the slave as a producer, but a slave who has undergone a change in his state in society in the order of mass movements does not automatically acquire an altered consciousness, which leads to the emergence of resentment - powerless envious anger. The power acquired by a mass person in the space of culture is realized as the destruction of the classical hierarchy of the essential forces of a person.
Mass culture, creativity, consumption, resentment, the dialectic of the slave and the master
Короткий адрес: https://sciup.org/144162055
IDR: 144162055 | DOI: 10.24412/1997-0803-2021-2100-33-45