"Art technique" in the theory of wind-instruments performance: the art aspect

This article presents an analysis of theoretical and methodological approaches to the performing arts of a bandsman, the core of which is performance technique, functionally manifested as a set of interrelated motor-auditory representations and intonational means. The author focuses not only on the generalized analysis of the technical and semantic organization of wind-instrument playing, but on the specific characteristic of all its components and on the artistic technique in particular, due to which this process becomes feasible. The author notes that technological, intellectual, emotional and evaluative literally (components) performance technique serves as a basis for further elaboration of the criteria and level indicators of the development of artistic technique. In this article it is noted that this component is a manifestation of the individual performance experience, the skill of the musician, his musical taste and other quality characteristics, that artistic technique is formed on a solid motor base of reinforced skills, techniques and ways of playing.