Tonal organization choral cycle of S. I. Taneev to the words of Y. P. Polonsky

In the article analyzes the choral cycle S. I. Taneeva of the op. 27 as the musical embodiment of the philosophical ideas resembling to Russian religious philosophy, which asserts creativity as a spiritual and transformative, enlightening activity. Intonation and ontological analysis of the cycle shows the consonance of musical intonation to the poet's word claiming beauty as revealed truth in the human heart.