Language game in the poetics of Aleksandr Vvedensky

The article deals with language game as a means of representation of the author's worldview. We reveal the concept of "language game", analyze the text space of the Russian avant-garde poet, philosopher Aleksandr Vvedensky, and distinguish his child and adult creativity. The study reveals the most effective ways of representation language game in the poet's artistic communication, such as free verse, contamination of set phrases, comparisons, undifferentiated tokens, transformation of grammatical categories, deformations of word combinations and other. In Vvedensky’s poetics language game as an important text-forming factor is found at different levels of text functioning. It is important to note that in the “child” works language game is aimed at constructing a positive dialogue, and appears as a positive phenomenon, in turn, in his “adult” creativity it reflects the absurd artistic world with the absurd artistic idea.