Aesthetic features of the embodiment of dialectics everyday life in the prose of F. M. Dostoevsky

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The article analyzes the aesthetic aspects of everyday bodily-plastic expressiveness of the heroes of the novels by F. M. Dostoevsky "Crime and Punishment" and "The Idiot". Based on these novels, it is revealed that facial expressions, gestures, even the position in space of the characters are never accidental for a writer; they are sometimes elevated to the rank of a symbol and have a direct impact on the formation of metaphysical images of heroes. On the contrary, those who know how to submit themselves and maintain decency, nevertheless, whether with a look, movement, or facial expressions, but betray bad, base intentions. Thus, the direct communication of the characters, their mental and physical condition is not only aesthetically reflected with the help of verbal and expressive pictorial techniques, but also determines their ethical principles.

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Dostoevsky, novels, gesture, plastic expressiveness

Короткий адрес: https://sciup.org/144162220

IDR: 144162220

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