The aesthetics of modern fonts in type-chart

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The article reveals the laws of modern typography the signs of font classification are also considered. The leading research trends in their assessment are analyzed. An example of the classification of the font of V. A. Favorsky is given here, who laid the dependence of the mark on the color modeling as the basis. He relates for his classification sets headset as a type classical antikva to the group of volume fontsthat determining the presence of elk-smooth bulges and serif (serifs) which limits making it the subject and not letting sink it in white. This is the most important, and at the same time simple to observe signs, on the one hand, the aesthetic image of the text, and on the other - the comfort and convenience of perception of reading are determined. Following the results of the analysis the Font group on the process for tracing is displayed, that is the slope and character points, its breadth and richness.

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Font, classification, typographics, font art

Короткий адрес: https://sciup.org/144161016

IDR: 144161016

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