Question of specific structural space of author's idiostyle (on the basis of Vladimir Orlov's prose)

The article presents the original author's view on the problem of structuration of individual style space of artistic and literary text. At the present stage of development of linguistics particularly relevant not only is the study of anthropocentric, but first of all anthropogenetic things of personal language picture of the world that, in fact, related to the activities of the language personality of the author. In domestic linguistic stylistics laid the fundamental traditions of the study as the most important copyright individual style incarnation of aesthetic manifestation of the mysterious Slavic soul, which is embodied in the brilliant artistic and literary texts, as in the foreground immanent beginning of the organization of the text space/ The search for the structural criteria of realization of the author's personality in the text (and, consequently, language identity, which significantly affect the positive restraining tendencies to destruction of the Russian literary language) lead to treatment to the author specially constructed traditional forms of organization of speech tissue literary discourse - in particular, such as paragraph building, correlated with education as dictem. Their analysis is rightly made in the text of the outstanding contemporary Russian writer Vladimir Orlov based on the principles and the nomination-syntactic techniques that allow to approach the structuration of the text and, accordingly, organization of individual style in the aspect of division into text segments with different syntactic extension, represent isolate fragments of subjective picture of the world.