«Square of authorization» in art narration

The paper is devoted to the linguistic peculiarities of the representation of the author-narrator of a literary text - at the minimum and maximum distance from the personality of the writer - in the aspect of modus, namely in the meaning of the authorization of his qualification categories. The article states the vector principle of the subjectification and objectification of the author as «analogue of the speaker» in the narrative. This principle is illustrated by the graph, which is coordinates with a direct and with demonstration points on it, designating certain «role of the author».