Legal regulation of the European works in European Union and Republic of Serbia

Автор: Petrović Z. Milica

Журнал: Pravo - teorija i praksa @pravni-fakultet

Рубрика: Review paper

Статья в выпуске: 2 vol.37, 2020 года.

Бесплатный доступ

Rapid development of technology has brought a need to digitalize copyright works. This way knowledge, stored in these works, can be shared with every internet user. Problem is, that for many of these works it is not possible to find right owner and so, important knowledge remains hidden from the eyes of society. The need to regulate digitization in cases where the consent of the right holder is missing (including orphan works where the holder is inaccessible) has also been recognized in the European Union, first through a project called Europeana. The main objective of this project is to disseminate knowledge by creating digital libraries that would contain all the copyrighted works that users can access from anywhere and without any time limit. This problem is partially resolved in European Union in 2012 when the Directive 2012/28/EU on certain permitted uses of orphan works was introduced. This directive gives instructions for all members of the EU to recognize and limit the use of orphan works in their countries accordingly to the rules given in the Directive. The Republic of Serbia, as an EU membership candidate, needs to harmonize its legislation system with rules provided in EU law and include the definition of orphan works and usage of orphan works into its copyright rules.

Еще

Orphan works, copyright, European Union law, law of Republic of Serbia

Короткий адрес: https://sciup.org/170202265

IDR: 170202265   |   DOI: 10.5937/ptp2002095P

Список литературы Legal regulation of the European works in European Union and Republic of Serbia

  • Ash, T. M. (2019). Where are all the orphans? How effective is current legislation in enabling cultural heritage institutions to make orphan works available online? - PhD diss., University of London. Preuzeto sa: https://core.ac.uk/download/pdf/147830433.pdf
  • Avilés, R.A., Marco-Cuenca, G. (2016). Análisis del estado de la declaración de obras huérfanas en Europa/Analysis of the status of the declaration of orphan works in Europe. Revista general de información y documentación, 26 (2), pp. 365-385
  • Ćemalović, U. (2019). Pravo intelektualne svojine i digitalna transformacija – neka aktuelna pitanja. Beograd, Institut za evropske studije
  • Dahlberg, B. (2011). The orphan works problem: preserving access to the cultural history of disadvantaged groups. Southern California Review of Law & Social Justice, 20 (2), pp. 275-314
  • Directive 2012/28/EU on certain permitted uses of orphan works [Direktiva o određenim dozvoljenim načinima korišćenja dela siročadi], Oficial Journal Legislation, 299, 27.10.2012, p. 5–12. Preuzeto sa: https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX%3A32012L0028
  • Directive (EU) 2019/790 on copyright and related rights in the Digital Single Market and amending Directives 96/9/EC and 2001/29/EC [Direktiva (EU) 2019/790 o autorskim i srodnim pravima na jedinstvenom digitalnom tržištu i izmeni direktiva 96/9/EZ и 2001/29/EZ], Oficial Journal Legislation, 130, 17.5.2019, p. 92–125. Preuzeto sa: https://eurlex.europa.eu/eli/dir/2019/790/oj
  • Directive 2001/29/EC on the harmonisation of certain aspects of copyright and related rights in the information society, [Direktiva 2001/29/ EC o usklađivanju određenih aspekata autorskog i srodnih prava u informacionom društvu.], Oficial Journal Legislation, 167, 22.6.2001, p. 10–19. Preuzeto sa: https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=celex%3A32001L0029
  • Hargreaves, I. (2011). Digital Opportunity A Review of Intellectual Property and Growth, An Independent Report. A Review of Intellectual Property and Growth, May. Preuzeto sa: https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/fle/32563/ipreview-fnalreport.pdf
  • Lu, B. (2012). The orphan works copyright issue: Suggestions for international response, Journal of the Copyright Society of the USA 60, pp. 255-284
  • Маrković S., Popović, D. (2018). Pravo intelektualne svojine. Beograd, Pravni fakultet Univerziteta u Beogradu
  • Popović, D. (2018). Pravni režim digitalizacije primeraka autorskih dela u pravu Srbije i u pravu Evropske unijeu: Vuk Radović (urednik). Usklađivanje poslovnog prava Srbije sa pravom Evropske unije, Beograd, Pravni fakultet Univerziteta u Beogradu, str. 243-260
  • Pravilnik o bližim uslovima za digitalizaciju kulturnog nasleđa, Službeni glasnik RS, br. 76/18
  • Smernice za digitalizaciju kulturnog nasleđa Republike Srbije. 2017. Ministarstvo kulture i informisanja. Dostupno na: http://www.kultura.gov.rs/docs/dokumenti/propisi-iz-oblasti-kulture/smernice-za-digitalizaciju-kulturnog-nasledja-u-republici-srbiji.pdf
  • Stobo, V., Erickson, K., Bertoni, A., Guerrieri, F. (2018). Current Best Practices among Cultural Heritage Institutions when Dealing with Copyright Orphan Works and Analysis of Crowdsourcing Options, report 3, EnDOW. Preuzeto sa: http://diligentsearch.eu/wp-content/uploads/2018/05/EnDOW-Report-3.pdf
  • Strategija Vlade RS. 2018. Strategija razvoja intelektualne svojine za period od 2018. do 2022. godine. Sl. glasnik RS, br. 78/18
  • Vukićević, V. B. (2011). Digitalizacija kulturnog nasleđa u funkciji ostvarivanja ciljeva kulturne politike. Kultura, (130), str. 165-182
  • Walker, R. K. (2014). Negotiating the Unknown: a Compulsory Licensing Solution to the Orphan Works Problem. Cardozo Law Review 35(3), pp. 983-1018. Preuzeto sa: https://www.copyright.gov/orphan/comments/Docket2012_12/Walker-Robert-Kirk.pdf
  • Zakon o autorskom i srodnim pravima, Sl. glasnik RS, br. 104/09, 99/12, 29/16 – odluka US.
Еще
Статья научная