Place of Henryk Wieniawski's concert no. 2 d-moll in pedagogical practice

This scientific publication is devoted to the study of the place of Henryk Wieniawski's concert No. 2 D-Moll in pedagogical practice. Classical music education is currently experiencing a rather acute situation: there are many different subcultures there is low-quality musical production. We see the manifestation of various forms and models of lack of spirituality, the social degradation of the younger generation, who have not finally formed the right ideas about classical music, culture and art. The development of aesthetic perception of music, the formation of aesthetic taste, the development of performing opportunities, acquaintance of students with the best samples of musical art serves as the basis for the moral and aesthetic education of students by the means of this art, the basis for the formation of the musical and artistic taste of the younger generation. This theoretical framework is used by the author of the scientific article to analyze the Henryk Wieniawski's concert No. 2 D-Moll. The well-known composer and violinist approached his work as a teacher with great interest and responsibility: he composed special works for the technical and artistic development of his students. In the concert No. 2 D-Moll, H. Wieniawski laid a wide range of aesthetic and technical problems, the solution of which allowed bringing up a high-quality musician who figuratively thinks and owns a variety of performing techniques. It is also worth noting that the violinist learns to control the dynamic and timbral sides of the sound through the interaction of three main factors: the strength of the pressure of the bow on the string, the speed of its control and the game point between the stand and the neck. This scientific publication is devoted to the analysis of the designated research problems. This scientific publication, containing both theoretical and methodological grounds, as well as applied subjects of creativity of the great Polish composer and violinist Henryk Wieniawski, is devoted to the analysis of the indicated research problems.