Methodical principles of the monumental painting analysis on the basis of the creative work of the south Ural artist K. V. Fokin

The article deals with the practical application of various principles of the art research of the monumental painting, one of the most important kinds of dimensional art. It also covers the regional aspect of the monumental art development at its apogee in the late soviet period. The author analyzes the reasons of the monumentalism crisis during the perestroika and post-perestroika periods and the personal crisis overcoming by the artist was taken as an example. The author covers the actual action of the methodical complex of the general, individual, entire and particular research principles; reference to the methods of the social psychology, perception psychology, the analysis of the dimensional art language, monographic method research of the creative work of the muralist K. V. Fokin.