«Editingness» of the composition of A. Green's novel «The pied piper»

The article presents the analysis of the composition of A. Green's novel «The Pied Piper», describes the originality of the poetics of the text. The significance of its image / thematic junctions, which characterize discordant notes of different types, semantic dominants of the text are defined. The intertext overlaps of the motives and images on the base of examples from the history of foreign and Russian literature are taken into account in the analysis.