Musical intersubjectivity: ways of bringing together the subjects of the composer and the listener in modern conditions

The focus of this article is the interaction of musical subjects of an academic orientation - the composer and the listener, displayed in the conditions of the present. The author asks the question of tracing the ways of rapprochement of the above subjects and finds three key options: 1) combining the author-composer and performer in one person, 2) the composer’s appeal to the well-known (folk) element in his musical material, arranging well-known melodies and 3) composing and playing music in a cultural context. The author laconically comments on each option, presenting the philosophical and cultural understanding of the topic.