The reflection of the music concept in Thomas Bernhard's novel "Wittgenstein's nephew"

The article is dedicated to the identification and analysis of the music concept in the belles-lettres style. In the belles-lettres text, the author verbalizes his conceptual world view, and the author’s works on the whole provide an opportunity to make certain conclusions about the concept-sphere of the nation he represents. This proposition in the article serves as a basis for examining the music concept. Music - is not only an integral concept of Austrian culture, but also a component of living of the Austrians. Both the wider public, and the Austrians consider themselves to be a musical nation, music has become a political ideology of the country. A concept music is refracted in the widest range of words and concepts in Thomas Bernhard’s novel “Wittgenstein’s nephew”, because the writer not only felt and loved music, but also had a special music education.