Poetic discourse of the Chinese underground poetry

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The paper explores the poetic discourse of the «underground poetry» of the «Cultural Revolution»period, which is characterized by the using of anaphora, parallelism. Aesthetic alternative of the underground poetry to the official poetrybecame for poets a way of identity, self-determination in conditions of spiritual nihilism.

Cultural revolution, personal poetic discourse, zhiqing generation, anaphora, "underground poetry", parallelism

Короткий адрес: https://sciup.org/148182583

IDR: 148182583

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