A cumulative principle in the figurative structure of the lyric poetry of Leonid Aronzon and Joseph Brodsky

Автор: Bokarev Aleksey S.

Журнал: Проблемы исторической поэтики @poetica-pro

Статья в выпуске: 1 т.18, 2020 года.

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The study defines the tendency of modern poetry to gravitate towards enumeration and registers as an attempt to “restore” the cumulative figurative language, which has not a conditionally poetic, but mythologically real status. From the standpoint of historical poetics, such a language is interpreted as a series of outwardly heterogeneous, but semantically identical phenomena, rooted in the archaic consciousness. The specifics of the worldview in the lyrics of L. Aronzon and J. Brodsky, namely, a complex of motifs represented with the help of cumulative structures, is the subject of study. The study asserts that, having a stable “semantic halo” (extensive assimilation of reality as a set of equivalent elements), accumulation performs a wide range of tasks, forming bundles with different, if not opposite, motifs (“unity and magnificence” of the world - Aronzon; discreteness of being and its overcoming - Brodsky). A detailed analysis of both authors’ poems allows to identify both invariant (historically determined) and variative (individual creative) features of the cumulative figurative language.

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Aronzon, brodsky, modern russian poetry, cumulation, figurative syncretism, motif, image

Короткий адрес: https://sciup.org/147226245

IDR: 147226245   |   DOI: 10.15393/j9.art.2020.7103

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