M.M. Bakhtin's "living" in music

Subject of the article: M.M. Bakhtin's "Living" in Music. Object of the article: the XXth century: music in the life and work of Mikhail Mikhailovich Bakhtin (1895 - 1975) - Russian philosopher and literary critic, theorist of culture and art. The purpose of the project : to actualize for the scientific world the information about the value of music in the life and scientific research of the scientist, to look more broadly at the intersection of musical and literary forms, musical terminology in the disclosure of images of literary heroes, who managed to show the spiritual essence of the musical language, using its features in the disclosure of the worldview of the analyzed images. The richness of Bakhtin's perception of the world through the prism of music allows us to see or hear a new way of scientist's intellectual thinking, to formulate the grounds for the search for new aspects of scientific research. Methodology of work: being a "sculptor of new architectonics of understanding and description" (K.G. Isupov), Bakhtin created multidimensional "sets" in the space of methodology. Based on individual methods, the author builds the concept of Bakhtin's reflection as a connoisseur of the art of metaphysics of music, focusing on the categories: "modulation", "polyphony", "tone", "improvisation of the sounds", "chorus", "pause" and others. Bakhtin, while researching Dostoevsky's poetics, used the term "polyphony", filling it with a semantic duality: as a way of thinking and as a formative element, a specific compositional move. "Bakhtin's Methodological school" today, in the ХХI century, becomes important and necessary in the process of comprehension of the humanities. Results: the problem identified in the topic has a broad context that allows us to consider a range of issues of "living" in music: listening and hearing, perception, the analysis of language and "feeling" and many others, for music is the "unpronounceable" sphere of spiritual search, the vital element of creativity (A. White). Bakhtin's experience in this regard is valuable today. Application of the results : Bakhtin's experience, which has become a unique practice of forming his perception of the world through the prism of music, is a little studied phenomenon that stimulates research interest and opens up opportunities for comparative methodology. Awareness of this phenomenon allows us to comprehend and detail the general patterns in the development of scientific understanding of the importance of such activities of a particular person in the national humanitarian thought. Conclusion: the scientific novelty of the study is in the analysis of a set of materials on the problem of understanding M.M. Bakhtin's "living" in music. An outstanding scientist, philosopher and philologist managed to translate the image of literary polyphony into a musical polyphony, and the latter - into the sounding "nerve of the philosophical model of the world" (R.A. Telcharova). Thus, the conclusions presented in the article are reasoned and logical.