Reception of Russian poetry of the turn of the 20th century in modern literary studies

The article presents an analysis of the critical and literary reception of contemporary Russian poetry in literary studies of the turn of the 20th century. The address to researches of M. N. Lipovetzky, M. N. Epstein, I. I. Plekhanov allowed us to reveal the peculiarities of evaluating post-modern poetry as the most prominent phenomenon in the literature of the turn of the 20th century. The analysis also involved the important for literary studies of the beginning of the 21st century strategies of V. A. Meskin, V. A. Zaitsev, E. S. Zinurova, S. P. Gudkova, U. Yu. Verina and others, aimed at the defining new stylistic movements, which characterize the modern poetry of the last two decades, its genre uniqueness and poetics. The conceptual issues considered in the articles by the authors mentioned above allowed us to define the specificity of new approaches, which consist in the creation of a typological picture of contemporary Russian poetry, comprehension of intertextuality as the interaction of modern authors with classic poets, and advancement of cultural dialogue. We have come to the conclusion that there is a diversity of research practices (genrelogical, typological, poetic, intertextual) in contemporary literary studies of the Russian poetry of the turn of the 20th century.