Sociology of cinema: theoretical foundations, research directions and the influence of cinema on social reality

The article delves into the study of the sociology of cinema. It examines the key theoretical aspects of the development of this form of mass art, defines its influence on social processes, and highlights its significance for the investigation of social reality. Particular attention is paid to the theoretical approaches of the European and American sociological schools, gender studies and critical analysis of cinema in the context of mass culture and ideology. The contribution of Russian scientists to the study of the history and social functions of cinema is noted, emphasizing the importance of new formats of film production and media as presented in modern research. The article emphasizes the versatility of the sociology of cinema and its significance for the analysis of modern social processes. Thus, the sociology of cinema is presented as an interdisciplinary direction that combines the achievements of sociology, cultural studies, philosophy and media theory, and allows for a deeper understanding of the interaction of cinema and social reality.