Subjective and objective reality in the space of the artwork (for example pictorial works I. Yu. Verpeta, J. D. Deev, V. F. Kapelko)

The concept of «subjective reality», introduced into the scientific everyday life of D.I. Dubrovsky in 1968, is now actively used in philosophy and psychology, but in such a field as art is rarely used. However, the nature and characteristics of modern artistic creativity do not allow describing it in categories and terms peculiar exclusively to art history. The key meaning of the notion of «subjective reality» for the study of the creative work of artists of the turn of the 20th and 21st centuries is becoming more and more obvious, since it is aimed at revealing the personal spiritual space, which today is the defining moment of pictorial creative activity. Since the «subjective reality» is a pair, the antithesis concept of objective reality and is with it in dialectical unity, these concepts need to be considered in parallel, comparing and contrasting them. This can be done most fully and systematically on the basis of visual art material, which reflects the visible reality and at the same time expresses the inner world of the artist. The complex of methods characteristic of philosophy and art history allows us to find an answer to the question about the peculiarities of the existence of objective and subjective realities in the space of a work of art. The following concepts are involved in the scope of analysis: objective reality, subjective reality, artistic reality, the space of a work of art, thereby expanding and working through the conceptual apparatus of philosophy and art history. The scientific novelty of the above studies is obvious, since purposefully these problems are solved for the first time.