Secrets of talking names in Marius von Mayenburg's play "The martyr" and their reflection in Kirill Serebrennikov's film text "Student"

Modern Russian cinema is actively studied by various Humanities. Film culture studies the interpretation of a multidimensional text space in feature films. One of the directions: literature on the screen. Cinema has always been associated with the fiction: from the film adaptation of a certain work, to the elements of figurative language, tropes and figures, genre interweaving, eternal themes and other linguistic and literary components. Hermeneutic field is growing, including, and at the expense of talking names. A special interest in this issue arises not only in the original work - the play of the German playwright M. von Mayenburg, but also in the script of the film text K. Serebrennikov, because the names of the movie characters undergo several metamorphoses, so that one of the characters even change the sex. The study of names in the movie helps to understand what elements the Director creates an original image.