Notes on the post-srtructuralist analysis of cinema

Modern culture is called visual, so the increasingly sophisticated interpretation of cinema, photography, advertising, video art involves the viewer into a psycho-social environment that reading, forces him to decipher signs and to construct meanings. The article is devoted to possible interpretations of cinema within post-structuralist methodology. The specifics of understanding cinema involves the overcoming of several difficulties: cinema is a perceptual object, the experience of a moment, the time of too fast perceptions. The interpretation of cinema is a process open to the past and to the future, based not on transcendence, but on the experience of the immanent: myth, legend, the imaginary.