Miror-I in art-house

The article looks at the extraordinary role of the mirror in the development and functioning of the artistic and aesthetic reality; the Mirror I as reflection of the psychic reality of the filmimage, psychological motivations that evoke the hero’s unconscious actions and psychic states of the film hero in different extreme situations; scenes are present introducing the theme of mirror and illustrating individual’s consciousness changes, how external factors take effect on the integrity of the consciousness, how It that pushes man to commit absurd and a-logical steps rules over I; how film-makers coming from subconscious aggression recreate dynamic integrity of a specific human in different aspects of his psychic, created relevant images and analyzed them; modernistic and post-modernistic films by different national film school produced in are reviewed representing different national schools.