The dynamic structure of carnival physicality: the experience of theatrical hermeneutics

This article is a generalization of the experience of anthropological practice of the research laboratory “Bakhtin Methodological Seminar” on the basis of the Orel State Institute of Culture and the M.M. Bakhtin Scientific and Educational Center of the Oryol Municipal Drama Theater “Russian Style” named after M.M. Bakhtin. The effectiveness of the study of the correlation and interaction of the experience of two practical bases - educational and training and professional-specialized directly depends on the development of interdisciplinary methodological tools. The team of authors, from different positions, came to the conclusion that laboratory experience makes it possible to identify the phenomenological differentiation of practical ways of distinguishing the structural components of “carnival physicality”, just as the experience of theatrical hermeneutics makes it possible to interpret phenomenological reflections at the levels of understanding the system-dynamic approach to the experience of “carnival physicality” as an organic whole. The article discusses the dynamic structure of carnival physicality in the optics of theatrical hermeneutics. The authors claim that the dynamics of the evolution of the carnival body is a single mechanism for processing all anthropological levels of its development in the synthesis of the “speech action” of theatrical art.