Extreme Contemporary African Literature: A Battleground Spanning Multiple Fronts

This paper aims to provide a nuanced examination of how contemporary African writers manage to reconcile the dichotomy between Africanity and universality through a hybrid vision. Rather than limiting themselves to a binary debate, these authors—including Léonora Miano, Fatou Diome, Sami Tchak, Mohamed Mbougar Sarr, and Véronique Tadjo—offer a plurality of perspectives that illustrate the transition from a concept of a homogeneous universe to that of a pluriverse, an approach that recognizes the richness and diversity of human experiences. Deeply rooted in African realities, their writings succeed in articulating universal themes such as identity, exile, and ecological crisis, while also integrating local and specific concerns. In doing so, they challenge the expectations of both African and international readers and contribute to a global discourse that embraces universal values while respecting local identities. The primary objective of this paper is to demonstrate how postcolonial African literature builds intercultural bridges while maintaining a strong attachment to its cultural identity. Drawing on postcolonial and aesthetic literary theories and approaches, this study emphasizes the trend of navigating between the local and the global, thereby strengthening Africa‘s voice on the international literary scene. Through this analysis, we hope to offer a nuanced view of the place of African literature in the contemporary world, highlighting its essential role in constructing an intercultural and transnational discourse.