Philosophical preconditions of artistic innovation (on the example of the culture of the Silver Age)

Article is devoted to value of ideas of the Russian thinkers in development of the major ontologic and gnoseological problem of identity of the Russian teurgichesky esthetic tradition. The essence of teurgichesky approach to problems of cultural life and role of the person as subject of history, communication with Christian idea of transformation of the world through creativity on the principles of synthesis of sacral and fundamental values of culture is considered. The author addresses to those philosophical to ideas and projects of the Russian thinkers of the end of the XIX century -the beginnings of the XX century which received an original embodiment in art of this period. It is traced as there is a projection of the main ideas of a teurgichesky esthetics on art practicians of a turn of the XIX-XX centuries. Inevitability of activization of process of spiritual and moral searches and their reflection in an esthetics of a modernism and different types of art, and also updating of a subject of art creativity which caused need for updating of language of art is noted.