Studying the works of Alessandro Scarlatti in the vocal class (using the example of the aria “Le violette”)

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Using the example of the aria Le Violette from the opera Pirro e Demetrio by the Italian Baroque composer Alessandro Scarlatti, this article provides a detailed analysis of the technical application of this work in vocal teaching. The focus is on specific vocal difficulties such as breath control, intonation accuracy, and correct pronunciation of Italian text. Through technical analysis of musical notation and discussion of specific pedagogical strategies, the article aims to provide students with practical and effective methods of technical training, which contributes to the systematic solution of vocal problems and the improvement of the professional level of performing skills. The main research materials include works on vocal pedagogy, as well as the author's personal experience in vocal teaching.

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Baroque style, authentic singing technique, historically informed performance, vocal teaching methods

Короткий адрес: https://sciup.org/149148328

IDR: 149148328   |   DOI: 10.24158/spp.2025.4.14

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