The emblem as a semiotic system
Автор: Leonteva Irina petrovnA.
Журнал: Вестник Московского государственного университета культуры и искусств @vestnik-mguki
Рубрика: Теория и история культуры
Статья в выпуске: 5 (61), 2014 года.
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The theme of this article - the formation of the emblem as a semiotic system, AB-tor considers the structure of the emblem, its characteristics, features amble-automatic symbolism, the specifics of the early emblematic collections. CCA special emphasis on the digital emblem of the Renaissance and early modern times. The nature of the emblems at this time becomes more games, savvy and conventional. The emblem is a fairly rigidly structured compact sign system containing per-encoded, often in allegorical form, a particular text. Structural logo consisted of three parts: the image (pictura, icon, imago), de visas or label (inscriptio motto) and epigrammatic signature (subscriptio). The image included from one to three subjects (three is the number of spirits-assisted synthesis), composite United between itself. It could be the elements of flora and fauna, tools of the craft and science, utensils, musical instruments-tools, books, notes, a symbolic image of elements and so on
Emblem, symbol, semiotics system, painting, renaissance, baroque
Короткий адрес: https://sciup.org/14489860
IDR: 14489860