The new logic of composition in Russian choiral music of the end 18th century

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This article is dedicated to the Russian choiral music of the last third part 18th centary. At the time of the Inlightenment Fart-concerto exhosted it's patential and required innovations. The Classicism ideas played the most important role in this process. This artical covers style features and pecullarities of the new music drama in the classical choiral concerts.

Chorus style, baroque, classicism, texture, secular music, sistem, part-singing, сhoral concerto

Короткий адрес: https://sciup.org/148100072

IDR: 148100072

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