Culture sound spirits musician: theoretical analysis of the problem

The article discusses the formation and development of culture in sound spirits musician as an important methodological problem of performing brass pedagogy in general and as a specific system of intonation and expressive means in particular. These tools are an important component in the chain process of picking a wind instrument. Also it provides a definition of the culture sound, characterized by its informative elements, outlines the theoretical background, allowing to intensify the interaction of elements related to the structure of instrumental tone. It provides a different perspective of domestic spirits musician. Besides, it stresses the importance of the transfer of creative and musical-pedagogical experience in the process of education of professional performing musician. It shows the main characteristics and evaluation criteria of sound culture, in terms of musicians and educators. In conclusion the article defined the fundamental principle of mastery spirits of musicians.