Cultural model of musical performance as a condition of socialization of the personality of the musician

The study of the profession of a performing musician from the standpoint of pedagogy, psychology, has shown that it must be regarded also from the standpoint of cultural studies, especially in its impact on the socialization of the person, mastering this profession. Today it was discovered that the attitudes of the majority of musicians and teachers on the technology of game action, available in performance, not due to objective laws. They are based only on subjective empirical experience, which leads to numerous contradictions, resolvable, as it turned out, only in case of compliance with these laws. The level of the performing art of a musician and the development of his skill largely dependent on such compliance.