Sepulchral top wasps in sentimental literature of a turn of the 18-19th centuries (to a problem of reception of the story of N. M. Karamzin "Poor Lisa")

The art details and literary parallels used by writers in the organization sepulchral a top wasp are extremely various and demand the further profound analysis. The image of a grave of the main character evolves from early receptions of the Karamzin text to later and takes more and more places in subject and semantic space of works. Each of karamzinist differently used motive of death, popular for new "Gothic" thinking. The description of a grave of the heroine is important for understanding of ideological contents and stylistics of each story, and also for explanation of an essence of their receptive method in general. The author of this article raises an issue of the literary parallels between the novel "Poor Liza" written by N.M.Karamzin and the receptive novels written by Karamzin’s contemporaries. The article focuses on comparison of the imagination of the main character's grave in these texts.