Folklore in modern compositions for domra: some peculiarities of changes

The present article tackles upon the problem of study of the original music for domra. At present the national origins are growing important. It becomes evident as methods mainly regarded from the point of view of intonational and expressive meaning acquire unique characteristics. In this case, the renovation of artistic and imaginative sphere is, in the first place, in a composer's ability to reintone the original material, to find new colours, new content in the interrelation of specificity with domra execution peculiarities. This is one of the conditions for innovation in domra literature. The author draws on the modern scientific views and statements in music theory and personal performing and teaching experience.